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Guitar Gopher is a guitarist and bassist with over 30 years of experience as a musician. These are some of the most respected brands in the world, and they not only make high-end guitars for professionals, but moderately priced models for us working folks. The point of this article is to help you figure out which acoustic-electric guitar is best of you, your budget and your needs. All I can do is offer recommendations, but after three decades of playing I have a pretty good idea of what’s worth it, and what you ought to stay away from. There are a lot of guitars in this price range, and it can be tough sorting through them all. Really, you have two issues to consider: You want a great acoustic guitar that sounds outstanding on its own. Here you’re looking at everything you’d consider in a pure acoustic guitar, like tonewoods, craftsmanship and quality. This is where the guitar’s pickups and preamp factor in.

Best Acoustic-Electric Guitars Under $500

As a sessionist he belonged to a group of LA based guitarists that did the majority of session work around town for both the movie studios and the labels. Long before select groups nicknamed “The Wrecking Crew,” or Motown’s “Funk Brothers” and Nashville’s “A-team,” they were essentially the first wave of professionals that got the calls. They consisted of players like George M. Hollywood, CA – Feb. He said that George M. Smith, one of the guitar greats of the ’30s and ’40s that he described as brilliant, was responsible for the studio guitar player really being recognized as a musician.

A Great Resource for the History of Ibanez Guitars. Check Amazon for a copy of “Ibanez, The Untold Story,” by Paul Specht.

Go to menu top I never heard anything better than a Fender if we’re talking about the big manufacturers. Later on, in the Guitar section, I’ll also talk about Standel and EchoSonic , but they’re produced in such small numbers that it’s fair to say they’ll only have historic interest to the most of us So As long as you get a tube Fender you’ll probably be on the right track, because they all sound pretty good.

It doesn’t have to be vintage at all, but they do look pretty cool. Actually I started out playing a vintage Vox AC 30 and it wasn’t bad at all. The sound was very ‘tube’ and that’s what you’re looking for, but Fender is still the better choice for Rockabilly. Fender Bassman ’59 reissue Many Rockabilly guitarists play a ’59 Fender Bassman or similar – vintage or reissue. It sounds perfect for rockabilly.

The distortion which is where you get the right sound from changes dramatically with change of volume. That’s very impractically when you play live, where you have to adjust the volume after the size and acoustics of the place where you playing. I found a way to get around that and always have the same “Bassman-sound” no matter what volume I’m playing at Here’s a page with photos of some actual recording sheets where you can see how the SansAmp was set.

Hagstrom Electric Guitars

About Guitars Buying a new guitar is a considerable investment for most of us. An instrument is all about inspiration. You are the musician and the guitar is the tool you use to express your feelings and music. This has nothing to do with what models you choose or how much they cost. Some basic knowledge about the different wood types, neck and body profiles, pickups etc will help you in making the best choice.

However, over the last decade or so, the MIMs has gotten a considerable face lift and the overall quality is very high.

Gibson bass guitar catalogue see also Gibson Ripper Fretless Gibson Ripper Gibson Ripper. The earlier, wider, slab-bodied version of the Gibson Ripper was produced from the model’s inception in , through Compare this body shape, particularly the bevelling around the horns, with a later Gibson Ripper – these later Rippers have a far more sculptured look about.

Plush Gig Bag Case Silkscreen: The Les Paul Deluxe has the 2 mini humbuckers which are sounding just awesome. Furthermore it has an all mahogany body pancake and Mahogany neck. Chrome hardware,rosewood fretboard-cherry finish,an awesome vintage LP Gibson. Condition is good,all works and has all original electronics-frets etc.

It has lots of wear on the backside,like buckle rash and scratches,some dents and paintchips. All this is natural aged and therefore its a true relic for its 39 years old. It will be delivered in an original later brown tolex gibson case These guitars are climbing in value and sought after by players. Get yourself an old time vintage Gibson LP. Neck and fingerboard are in excellent condition, frets some some wear on the first 3 frets but still plenty of life in them, the rosewood fingerboard is awesome.

Great sounding pickups 2 humbuckers with 3 way slider switch and coil tap switch for the single coil sounds This is a very versatile guitar and is ready to play any style of music you can think of.

Gibson Les Paul Triumph bass

This is one of the most frustrating questions from the MIJ collector. People often make the mistake of citing the American or European importer as the ‘maker’ of the guitar, when in fact several Japanese manufacturers were producing badged guitars out of their plants and shipping them to America and Europe to sell. Japanese manufacturers made multiple badges at the same plant, many of whom resemble each other closely. Some manufacturers merged or changed hands over the years which added to the confusion, sometime merging with another maker, only to pick up their name later.

In some cases a manufacturer would farm out production to various manufacturers, making it still more difficult to know who made the guitar in your hands.

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But, by the time Kiss began performing shows, in support of their 1st release, Ace was primarily using a Gibson Les Paul Deluxe through a watt Marshall, as he mentioned in the quote above. That first Les Paul was a beautiful Gibson Les Paul Deluxe in a Tobacco Sunburst finish, which Ace used almost exclusively with a couple of other guitars , right up until September of As with any Les Paul Deluxe of the period, this particular guitar would have originally had mini-Humbucker pickups and creme plastics.

By the time Ace acquired it from Manny’s Music, in late , it already had it’s mini-Humbuckers swapped out for a set of full sized Humbuckers. This was a very common practise of guitars players in the early s, who wanted their guitars to look and sound like those of their heros, from the UK, who were typically using the much revered Les Pauls. Ace’s Les Paul Deluxe started it’s life with him, with creme colored plastics and ‘normal-sized’ humbucking pickups with chrome covers.

1974 Gibson Ripper

This guitar has a nice weight at well under 9 lbs: The neck has a comfortable 59 profile: This was used as a reference color guitar over the years, and has never left the Memphis factory since until now.

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Fernandes Burny Here’s a quick way to tell if you have a Matsumoku factory guitar whether branded or not. That’s a dead giveaway that you’ve got one of “Uncle Matt’s” guitars. As I said above, Fujigen and the other manufacturers produced guitars with no logos at all for sale around the world. That in itself shouldn’t cause much confusion, because we know from Hoshino that “if it doesn’t say Ibanez” it’s not an Ibanez. However, Fujigen Gakki, the manufacturer of Ibanez-branded guitars would provide stock, no-name images to Hoshino and other distributors for use in their catalogs.

Fujigen only had to take one picture of a guitar instead of one with each different brand on it. I can’t confirm this, but Fujigen may have gone as far as to produce the majority of the catalog, and Hoshino would put its “Ibanez” brand on the front and back covers.

Japanese Manufacturers of Made in Japan Badged Electric Guitars From 1960 to 1980

Compare this body shape, particularly the bevelling around the horns, with a later Gibson Ripper – these later Rippers have a far more sculptured look about them, although this is not always easy to see in photographs. A total of Rippers were shipped in , with the vast majority in Natural finish as seen here, although many very early ones had a tobacco or cherry sunburst finish. See the Ripper shipping stats for further details.

gretsch ‘s hardshell case original! “no reserve” item number: sold. gretsch ‘s hardshell case original! “no reserve”.

From ‘ ’69 hollow body guitars had the serial number on a label inside the guitar, prefexed by the letter “A” plus four digits for the first four years 57 to Beginning in the number was pressed into the back of the headstock. Between and the Epiphone was manufactured in Japan and the serial numbers became unreliable for dating purposes. Gibson labels were Orange and imported labels were Blue. During the 80’s production began in Korea and again serial numbers become unreliable.

In the numbers became more reliable, for example: A3 would be as would A YDDDYNNN The first and fifth number is the year of manufacture; the second, third, and fourth would be the day of the year and the last three would be that number guitar of the day. There is more to it than this but again, if you post as much info as you have I’m sure we can date and price the guitar.

JOE v 2pw epiphone serial number help in i.

Help me find date of my Epiphone Les Paul Custom

Lincolnwood Label Brown Label The Aria Epiphone Japan models that were made by Matsumoku from the early s and ending before do not have a reliable serial numbering system but can be approximately dated using their Epiphone label colours. The early Japanese blue labels were left over from production at the Kalamazoo factory and were used on Japanese-made instruments until supplies ran out approximately These labels say “Union Made” in the lower left corner and are sometimes hand-stamped with “Made in Japan” at the bottom.

Some of the interim blue lables had neither the “Union Made” nor “Made in Japan” markings on them. When supplies ran out, these labels were replaced with a new batch that were printed “Made in Japan” in the lower right corner. Pre “Union Made” labels are distinguishable from labels used on Japanese intruments by the printed model name of the intrument only.

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Here is a very,very, rare guitar. Not many of these were sold as people thought they looked real strange. In fact they were made to look like a early 18th centuary instrument on purpose. It has a Mike Christian transducer bridge and is perfect for the acoustic player who likes to play electric now and again. It will never ever feedback. Made of course at the old Gibson factory in Kalamazoo this one dates from and is already worth twice what it cost new.

Yes I must confess after watching the videos of it on You Tube I thought “gotta get myself one of these” so a phone call to my friend at Ovation in the States and a week later here it is!

Gibson Brands Forums: Epiphone Electrics – Gibson Brands Forums

This white Flying V type guitars shows up as a complement to the LoBue V custom in the summer of First time it’s caught on camera is in Anchorage, AK on June 2 but it’s not very prolific until September when it shows up in Detroit in a very nice series of shots. From that point and up until the Gibson deal it seems to be the undisputed no. The real question is: First off, it’s definitely not a Gibson. The headstock shape is all wrong.

Date an epiphone Les Paul. By southpawjam, 7 years ago. 10, K. Date an epiphone Les Paul. Per your on-line data base dating this guitar was made in Korea in March of with a Production Number of It think I’ll switch to this method, which is easier. The Blue Book can be confusing.

In the second half of the 20th century, however, accordion sales were declining; but Hagstrom were there at the beginning of the new guitar boom, producing their first electric, the Hagstrom De Luxe in By this time, Albin had died later to be replaced by his son Karl-Erik , but the companys many years experience of accordion manufacture massively influenced the early guitars, with the use of pearloid sparkle finishes and a preference for push-switches over potentiometers more widely used in American guitars.

Over the next two decades, Hagstrom produced a number of interesting and commercially sucessful guitars, many with a nod towards better known American designs, but some quite unique. One important innovation by Hagstrom, and arguably one of the key reasons for their sucess, was the low-action “fastest playing neck in the world” produced by their patented H-shaped “expander-stretcher” truss rod rail.

In the early sixties, Hagstrom produced a number of solid bodies that were distributed by different companies worldwide, often given alternate model names and even different brands; for example Hershman in the US labelled some Hagstrom guitars as Goya , whilst Selmer in the UK used the marque Futurama. Guitars like the Corvette and Impala helped cemment Hagstrom’s reputation as a quality builder, and by alternate branding was no longer necessary.

In the latter half of the decade solid bodies were selling well, particularly the Hagstrom II and III, as were the semi-acoustic Viking , finally appearing in the hands of Elvis Presley in Hagstrom guitars of the s did conform somewhat to an establishing consensus admittedly Gibson’s of what a guitar should be.. But this was largely beneficial, the Les Paul-style Swede was, and still is, a very highly regarded guitar, perhaps the pinnacle of vintage Hagstrom guitars.

But in true late seventies style, Hagstrom fused a guitar with the growing electronic innovation of the time to create the Patch But of course fashions change, and in many ways it was this electronic innovation that dealt the death blow to much of the guitar industry worldwide in the early s. Hagstrom stopped producing guitars in

Testing my new Epiphone Les Paul Goldtop Slash Signature – (Estranged GNR)


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